![]() You see this in Thor Love and Thunder, you see it in some of the series work on Disney. Since the serious content is falling flat, the humour is trying to do all the heavy lifting and it's coming across canned and awkward. In other films, the humour in Marvel films was there to support the main plot, and allow the audience respite through its more serious content. ![]() ![]() The interpersonal politics lately has been unimaginative and way too human, and American, centric producing derivative content with space dressing. Without good science, narratives like the multiverse, cosmic settings and space ecosystems do not hold together in the minds of viewers. The science in the film didn't sustain belief, and the motivations of the antagonist was unnecessarily convoluted, the furry subplot an afterthought. ![]() I think Marvel writers across the franchise have written themself into a corner by not adapting to the needs of comic lore in a technomoderized world. It didn't rock my world, and it's no fault of casting or the decision to make a woman lead film. ![]()
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